Menu
Liliana Rossini was born in Bagnolo Mella (BS) in 1958.
Painting has constantly exerted a great power of attraction on her. Since adolescence he has favored very bright colors.
After graduating in Architecture and Interior Design, he took up the technique of porcelain painting with American and Japanese masters, preferring large porcelain, never decorative or ornamental, but with natural subjects. And it was with these artistic inclinations that she approached oil on canvas, often portraying landscapes that may appear neo-Impressionist and belonging to her artistic iter, an inevitable moment of passage necessarily to be traveled that would allow her to land in her poetic reality.
He then moves on to explore with a keen eye the world of animals, large animals: lions, rhinos, tigers, panthers, elephants to name but a few.
More and more he approaches a material technique, mellow, full-bodied and of powerful tactile value, electing the spatula as the preferred expressive medium to interface with his creations.
He then delves deeper into portraiture, already experienced on a subconscious level during adolescence, investigating the human psyche in depth to such an extent that the images lose their figurative connotation to become more abstract, again leaving room for the dominance of the pictorial chromaticity of matter. The artist seeks to recreate on canvas subjects in which there is a strong appeal to their interiority.
He loves color, he loves essential expression. She is an expressionist artist.
Everything happens without reasoning. It’s a moment to be there, it’s a moment not to be there. The absence of self transforms the work in an ethereal way; the colors are given with total abandon, and this goes to the deepest artistic chords inherent in his being. His work is dictated by the instinct of the moment, the drafting of color is generated by a determined and strong inner impulse.
Oil on canvas is the choice of material, which gives his works a special mellowness that is rich in chromatic luminosity and boasts its indestructible continuity over time. Only the creative and empathic instinct with the subject is a consequence of determining the framework. A work, according to the artist, must have character in it more than beauty.
The artist likes to give the work an expressive force where color, as well as material value, impose themselves on the eye of the beholder.
